This is the Woofermagazine manifesto.
We believe that :
Photography captures the experiences of the author and constitutes a visual archive of his memories. By organizing and sharing related content from this archive, photography can become a form of personal expression.
There are no divisions among photographic genres.
A photographic image has its own form independent of the photographer’s intentions and can be interpreted differently by each viewer.
An indisputable part of the value of a photograph are the sensations that it is capable of arousing in the viewer.
In today’s society, images have unprecedented relevance in terms of communication.
We promise to try to:
Expand the scope of the authors’ ideas by sharing the works that we find most interesting.
Break down the divisions between photographic genres, challenging social media algorithms that promote content uniformity. We believe this is a social mission that aims to facilitate communication between people who may not share a sense of belonging to the same movement.
Approach our judgments with respect for the authors and viewers.
Share works that evoke sensations and emotions, regardless of their nature.
Attempt to create our personal maps that can anyway help viewers navigate the vast production of images generated by contemporary society.
![](https://woofermagazine.com/wp-content/uploads/2023/09/01_Jose-Carpin-300x200.jpg)
![](https://woofermagazine.com/wp-content/uploads/2023/09/02-300x199.jpg)
CAR TO CAR
Mario Mencacci Bandini portrays the parallel life that people live inside their cars.
![](https://woofermagazine.com/wp-content/uploads/2024/01/andrew-james-campbell-01-300x200.jpg)
FOCUS ON ANDREW JAMES CAMPBELL
Andrew James Campbell’s photos capture scenes on urban streets with never banal compositions and an aesthetic that transmits a hint of nostalgia for a more everyday life.
![](https://woofermagazine.com/wp-content/uploads/2023/09/01_59280032aw-300x200.jpg)
![abandoned yellow house under a bridge](https://woofermagazine.com/wp-content/uploads/2023/05/Ponte-Settimia-Spizzichino-300x200.jpg)
LA QUARTA ROMA (THE FOURTH ROME)
Cities tell their stories through their shapes, the infinite grid of streets, buildings, squares. Massimo Valentini’s gaze is a particular one.
![](https://woofermagazine.com/wp-content/uploads/2023/11/3-1-300x300.jpg)
FOCUS ON OLGA KARLOVAC
The work of Croatian photographer Olga Karlovac elevates photography to art.