This is the Woofermagazine manifesto.
We believe that :
Photography captures the experiences of the author and constitutes a visual archive of his memories. By organizing and sharing related content from this archive, photography can become a form of personal expression.
There are no divisions among photographic genres.
A photographic image has its own form independent of the photographer’s intentions and can be interpreted differently by each viewer.
An indisputable part of the value of a photograph are the sensations that it is capable of arousing in the viewer.
In today’s society, images have unprecedented relevance in terms of communication.
We promise to try to:
Expand the scope of the authors’ ideas by sharing the works that we find most interesting.
Break down the divisions between photographic genres, challenging social media algorithms that promote content uniformity. We believe this is a social mission that aims to facilitate communication between people who may not share a sense of belonging to the same movement.
Approach our judgments with respect for the authors and viewers.
Share works that evoke sensations and emotions, regardless of their nature.
Attempt to create our personal maps that can anyway help viewers navigate the vast production of images generated by contemporary society.

FOCUS ON GIUSEPPE PERRETTA
Giuseppe Perretta between the physical and emotional landscape.

THE POTEMKIN VILLAGE
Gregor Sailer introduces us to the absurd world of fakes, copies and stage sets in the services of politics and economy in Europe, USA, China and Russia

ONE POOL, LOS ANGELES
Robin Bell spent two years taking photos of this pool in Los Angeles to understand what the city represented for him.

ORDINARY WORLD
Colin Templeton shows us some brutalist infrastructure outside Glasgow, immersing us in the place.

ENCOUNTERING STILLNESS
The photographer Kimmo Sahakangas takes us on a route through the American landscape in search of the beauty of isolation.

A LONG SATURDAY
The representation of the day in which nothing happens by the photographer Yannis Zindrilis.