This is the Woofermagazine manifesto.
We believe that :
Photography captures the experiences of the author and constitutes a visual archive of his memories. By organizing and sharing related content from this archive, photography can become a form of personal expression.
There are no divisions among photographic genres.
A photographic image has its own form independent of the photographer’s intentions and can be interpreted differently by each viewer.
An indisputable part of the value of a photograph are the sensations that it is capable of arousing in the viewer.
In today’s society, images have unprecedented relevance in terms of communication.
We promise to try to:
Expand the scope of the authors’ ideas by sharing the works that we find most interesting.
Break down the divisions between photographic genres, challenging social media algorithms that promote content uniformity. We believe this is a social mission that aims to facilitate communication between people who may not share a sense of belonging to the same movement.
Approach our judgments with respect for the authors and viewers.
Share works that evoke sensations and emotions, regardless of their nature.
Attempt to create our personal maps that can anyway help viewers navigate the vast production of images generated by contemporary society.

FOCUS ON OLGA KARLOVAC
The work of Croatian photographer Olga Karlovac elevates photography to art.

MOSTLY FALSE REPORTS
Stephen Leslie new photobook is a combination of original candid street photography and short stories he has written inspired by the images

IN THE MODERN WORLD
IN THE MODERN WORLD SUBMISSION Cover Photo Andrea Ratto “In The Modern World” will be our first collective publication with an open call. We can’t

HAUT LES CŒUR
For the past fifteen years or so, Stéphanie Lacombe has been engaging with the everyday lives of the women and men of Hauts-de-France.

171213-240423
Streetmax 21 is a street photographer who knows what he is looking for and this is not the usual.

RODINA
With the book Rodina, photographer Dimitris Makrygiannakis establishes a visual dialogue with mortality.