WOOFERMAGAZINE 01
A PRINTED MAGAZINE
Cover photo Vanessa Pallotta
Our online magazine turns one year old and we are very happy with the work done.
It has been a completely new experience for me and I have loved being able to talk and share the work of many photographers that I admire.
Now it’s time to take it a step further and turn to paper to tell a visual story of 100 photos.
Similar to what we usually do with our Sunday Special, we are going to sequence the images generating connections with worlds that are far from each other but that have connection points.
Sakis Dazanis
Paper has a characteristic, it lasts over time.
We believe that the 100 photos chosen deserve it.
To finance the magazine we have decided to use Crowdfunding.
You can go to the project page and order your magazine.
If the fundraising goal is not reached, nothing will be charged and there will be no magazine.
But we are convinced that Woofermagazine deserves to last over time and that our community understands it like we do.
Graziano Panfili
So if you think that a high-quality, limited-edition, numbered printed magazine is an interesting project, even for collecting, you can go to our project page and reserve a copy.
We will greatly appreciate it, and it would give us a great push towards new editorial projects.
Woofermagazine wants to grow, I hope you believe that we deserve it.
Andrew James Campbell
Olga Karlovac
Paul Smith
Andreas Jörgensen
Nico Koch
Rob Hann
Miguel Ángel Blanco
WOOFERMAGAZINE 01 :
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IN SEARCH OF LOST TIME
Zuzanna Szarek with this series leads us to reflect on the passing of time and the impact of man on the environment
IT’S ALL COMMON
Some time ago Cosmin Gârleșteanu decided to focus on photographing ordinary things that fill daily life.
DÉPARTEMENTALES
Antoine Schoenfeld try to documenting our history through their existence, delivering an artistic meaning to these roadside abandonments.
THE NOWHERE LANDS
Andrea Irmeni explores the industrial and estuarine areas of the River Thames inspired by the New Topographic Movement.
SIDESHOW
Chris Harrison initially didn’t intend to depict Brighton, but in the end, he shares his vision of the city where he resides.