WOOFERMAGAZINE 01
A PRINTED MAGAZINE
Cover photo Vanessa Pallotta
Our online magazine turns one year old and we are very happy with the work done.
It has been a completely new experience for me and I have loved being able to talk and share the work of many photographers that I admire.
Now it’s time to take it a step further and turn to paper to tell a visual story of 100 photos.
Similar to what we usually do with our Sunday Special, we are going to sequence the images generating connections with worlds that are far from each other but that have connection points.
Sakis Dazanis
Paper has a characteristic, it lasts over time.
We believe that the 100 photos chosen deserve it.
To finance the magazine we have decided to use Crowdfunding.
You can go to the project page and order your magazine.
If the fundraising goal is not reached, nothing will be charged and there will be no magazine.
But we are convinced that Woofermagazine deserves to last over time and that our community understands it like we do.
Graziano Panfili
So if you think that a high-quality, limited-edition, numbered printed magazine is an interesting project, even for collecting, you can go to our project page and reserve a copy.
We will greatly appreciate it, and it would give us a great push towards new editorial projects.
Woofermagazine wants to grow, I hope you believe that we deserve it.
Andrew James Campbell
Olga Karlovac
Paul Smith
Andreas Jörgensen
Nico Koch
Rob Hann
Miguel Ángel Blanco
WOOFERMAGAZINE 01 :
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THINGS WERE NEVER NORMAL
Leah Frances explores America’s forgotten places of aggregation.
FOCUS ON ANDREW JAMES CAMPBELL
Andrew James Campbell’s photos capture scenes on urban streets with never banal compositions and an aesthetic that transmits a hint of nostalgia for a more everyday life.
DANCE DE L’EAU
Photographer Elena Plaza establishes a visual connection between jellyfish and dance, representing the balance in which we live on earth.
INVISIBLE SPACE
Wojciech Karlinski takes us to his neighborhood of residence and reflects on the interaction between the places that are closest and most familiar to us and our lives.
HOM(M)E CINÉMA
Valérie Six Louis’ photos make our minds travel as if they were movie scenes.
