WOOFERMAGAZINE 01
A PRINTED MAGAZINE

Cover photo Timo Lemmetti

Our online magazine turns one year old and we are very happy with the work done.

It has been a completely new experience for me and I have loved being able to talk and share the work of many photographers that I admire.

Now it’s time to take it a step further and turn to paper to tell a visual story of 100 photos.

Similar to what we usually do with our Sunday Special, we are going to sequence the images generating connections with worlds that are far from each other but that have connection points.

Krissa Muonio

Paper has a characteristic, it lasts over time.

We believe that the 100 photos chosen deserve it.

To finance the magazine we have decided to use Crowdfunding.

You can go to the project page and order your magazine.

If the fundraising goal is not reached, nothing will be charged and there will be no magazine.

But we are convinced that Woofermagazine deserves to last over time and that our community understands it like we do.

 

Michael Ornauer

So if you think that a high-quality, limited-edition, numbered printed magazine is an interesting project, even for collecting, you can go to our project page and reserve a copy.

We will greatly appreciate it, and it would give us a great push towards new editorial projects.

Woofermagazine wants to grow, I hope you believe that we deserve it.

Rúben Rosa

Francesco Cucchiara

Fabien Dendiével

Chris Harrison

Phil Bebbington

Lewis Kennedy

Dawn Eagleton

WOOFERMAGAZINE 01 :

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blond boy on a gray cement shoulder in the middle of the sea

A DAY TRIP TO THE SEASIDE

Dmitry Stepanenko seeks to escape from London, reaches the sea coast and tells us about his observations

abandoned yellow house under a bridge

LA QUARTA ROMA (THE FOURTH ROME)

Cities tell their stories through their shapes, the infinite grid of streets, buildings, squares. Massimo Valentini’s gaze is a particular one.

red and green plastic chairs at the beginning of the night

SIDESHOW

Chris Harrison initially didn’t intend to depict Brighton, but in the end, he shares his vision of the city where he resides.

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