FOCUS ON
TATSUO SUZUKI

Tatsuo Suzuki has been a reference in street photography for me since I started seriously taking photos.

It is a great honor to share some of his photos here on Woofermagazine. And his photography fits perfectly into the philosophy of our magazine.

Always looking for a true reaction from the people he portrays on the street, establishing a link with his own state of mind.

When you go out to take photos on the street you are not always the same person and your subjects are also always different at each moment, this guarantees that the result is unique each time.

In the end you may come to realize that what you are photographing is not the people you meet but your true self.

Whether they are street photos or portraits, Tatsuo’s photos always inspire me and transmit emotions to me, which in the end is what really counts.

About Tatsuo Suzuki

Born in 1965 in Tokyo.
Living in Tokyo today.
Started shooting in 2008.
My aim to shoot the street is to show how the world is beautiful, interesting, wonderful and sometimes cruel.
By means of photography and through my own eyes with my gear.
​I am so happy and glad when someone feels some emotion when they see my shots.

Tatsuo Suzuki links :

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PROCIDA

Umberto Verdoliva’s work is a declaration of love for poetry and cinema.

LIGHT/MASS

Photographer Owen Davies makes a visual thought on the enormous buildings scattered throughout the large cities of the United States.

decorated with colored houses in the middle of the snow

THE POTEMKIN VILLAGE

Gregor Sailer introduces us to the absurd world of fakes, copies and stage sets in the services of politics and economy in Europe, USA, China and Russia

cafe bar miramar a church in the background

PORTFOLIO REVIEW

You can support our crowdfunding to print our first magazine and get a review of your portfolio.

ORDOS

Anthony Reed takes us to discover Ordos, a huge ghost town in Inner Mongolia.

ASSENZE (ABSENCES)

The photographer Giuseppe Basta portrayed the Italian countryside looking for the absence.

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